Tim Fite's "I've Been Shot"
The Pinacle of Hip-Hop Social Satire
Musical satire like its prosaic brother seem to have fallen on hard times. Hard to laugh when your worst warnings are coming true. It’s been two decades since Carlin warned us of what was coming (“it’s a big club and you and I ain’t in it”), and in that time what passes for musical satire has become silly stuff like Weird Al, Mojo Nixon (RIP), Flight of the Conchords or Tenacious D.
Nothing as biting as the Dead Kennedys’ “Trust Your Mechanic” and “Well-Paid Scientist” or less direct skewering like Warren Zevon’s 1980 track, “Gorilla You’re a Desperado,” Weakerthans’ Sad Dad-blast, “Plea from a Cat Named Virtute” and the Delgado’s “All You Need is Hate,” which has become exceedingly relevant these days. There are a handful of exceptions, but it seems to be almost a thing from another place.
Hip-hop has remained at its core transgressive and the form’s love of interstitial skits has offered plenty of opportunity for social commentary. One of my favorite artists in this mien is Tim Fite, who wrote a series of trenchant wryly hilarious albums examining the culture from the cockeyed POV of a dedicated nineties hip-hop head with Jonathan Richman’s cockeyed faux innocence.
We’ll take a more in-depth look into his oeuvre tomorrow, when we release our podcast with Fite, who has since put music on the back burner and put his are in the foreground. He was studying printmaking when a comic track he cut with a friend, “Shaniqua” became a random viral hit – a youthful indiscretion he felt obliged to apologize for years later – launching his accidental career.

While it’s a really fascinating bunch of albums, one has always particularly had my ear – his 2007 release Over The Counter Culture, which Fite released for free, reasoning that it made no sense to charge people for his critique of capitalism’s appetite for consumption (bread=$$$), war and hip-hop (aka the circus). The title track is great, conflating marketing with pharmaceutical addiction, getting us hooked on whatever they supply.
But the real masterpiece is his slag of commercialism with his track, “I’ve Been Shot,” which puts a wig, comically oversized shoes and a red ball nose on poor 50 Cent, mocking the “reality” necessary for this dress up game. Ask Shyne. Hell, ask Biggie. Oops.
Where TF does he even get this opening sample, about the kids problems? It’s keenly chosen because it’s a real litany – and sets the tone for the laundry list of (self?) harm in pursuit of the “authenticity” required for success. It’s funny, as they say, because it’s true.

“Shit I’ve been shot so many way, I can’t remember the last way I got shot,” Fite cracks. “I’ve got sixteen scars for my sixteen bars; my exit wounds make records exec goons swoon… I’ve been shot so many times the bullets had to make room.”
Over a proto-doo-wop refrain, Fite croons, “I’ve been shot!” like the accomplishment it is/was.
“If I hadn't been shot, I would've never got laid
Would've never got signed, would've never got paid
Wouldn't ever have known how lonely it gets at the top
I Would've never been shit if I never been shot”
It’s really from a narrative standpoint a great setup, because now you know he he got to the top. For the question of how you stay on top, wait for the third verse.
“I used to think I'd make it on talent and nothing else
But these days a little bit of violence helps
And I can tell that it's the gunplay that drives the crowd crazy
So every now and then ask somebody to graze me
Just shoot me a little bit, man! Make it look good”
And of course the dagger into the rib….
“With 14 slugs in my body and 2 in my head
Man, I should be dead, but I'm rich instead
.22 caliber, a salary
A house in the hills and a house in the valley
Get a good manager, a pal to be
Behind the trigger when your sales figure is down”
Got to give the people what they want, otherwise what good are you as an entertainer. Better duck!